Learn Digital Photography Now
Oin this issue, wo rid-renowned underwater photographer Stephen Frink- a longtime visitor to the Cayman Islands-tells you the most photogenic dive sites on Grand Cayman, Little Cayman and Cayman Brae (see p, 34). Want more Enjoy more of Stephen's photographs taken in the islands at seated vins.com cayman_frink_&allery.
Whether a beginner or digital pro, take your digital photography to the next level with Rod Klein, Digital Editor of Fathoms Magazine and Kungkungan Bay Resort for a series of underwater I digital workshops Augustj 6-27, 2005 in what is arguably one of the best destinations on the planet for macro photography - Lembeh Strait. Topics to be covered include digital vs film, proper camera set-up and preparation, exposure of digital cameras, media cards, file types, underwater lighting and composition, and photo retouching. Photoshop seminars will also be given.
With digital cameras underwater photo graphy just got easier and a whole lot more fun. No more wondering if you got the shot, view it instantly on the camera's LCD, don't like it, delete it and take another. At the end of your dive you only have images you want to print, publish or email. No film to purchase or process. New digital cameras are being introduced at a rapid pace. For the latest information on new digital housing models visit our web site. Click below
For example, when planning to salvage a sunken or stranded vessel, the diving team needs to know the construction of the ship, the type and location of cargo, the type and location of fuel, the cause of the sinking or stranding, and the nature and degree of damage sustained. Such information can be obtained from ship's plans, cargo manifests and loading plans, interviews with witnesses and survivors, photographs, and official reports of similar accidents.
This section is applicable to all inspection projects and should present the complete results of the work done including recommendations for farther action, such as a more detailed inspection, emergency repairs, future repairs, etc. It should include photographs, sketches, inspection records, etc. Findings and recommendations should be of an objective nature providing detailed information that can be used by engineering personnel to assess structural capacity. UCT personnel normally do not make en
The last week of January attracted more than 30 underwater photographers from around the world to take part in the inaugural Dive Chronicles' Digital Jam. Digital Jam is a combined digital photography workshop and competition, offering 20,000 worth of prizes. Two dive centres were involved in this inaugural year Ocean Frontiers at the East End of the island and Dive Tech based in West Bay. Each centre laid on a week of special photographer friendly diving, combined with lectures and workshops, with on hand advice from resident host photographers. The Dive Tech group was lead by Geri Murphy, one of the world's most successful underwater photojournalists, and the Ocean Frontiers group by UWP contributor, Alex Mustard. Dive Chronicles and the other sponsors laid on all sorts of diving gadgets for us to try throughout the week Sealife digital cameras, Oceanic MP3 players and dive computers, DUI BCs and Amphibico video cameras.
When it was formed, the prime objects of BSoUP were to create a forum for the exchange of ideas and information about underwater photography and put the activity on the map. Today, the Society is still dedicated to encouraging and developing underwater photography in all its aspects, from slides to cine and video. Its members vary from divers who have just started to take underwater photographs to eminent professionals who lead the world.
Ikelite also offers a full line of housings for Non-SLR digital cameras. Beginner, amateur, or pro, simply get an Ikelite housing for your favorite digital land camera. Choose from Canon, Kodak, Nikon, Olympus or Sony, Ikelite makes housings for several camera models from each of these manufacturers. New digital cameras are being introduced at a rapid pace. For the latest
The Nikon CP8400 is an 8 mega pixel camera with a 24mm lens. This lens is currently the widest on the market for the pro consumer digital cameras and makes it ideal for underwater use. The 24mm lens allows you to get closer to your subject and the closer you get to the subject the less water in front of the camera which equates to a cleaner sharper image. It also allows you to capture large marine life such as sharks and Potato Cod without having to move back to fit the animal in. Additionally, by getting closer to the subject it allows more sufficient use of artificial lighting such as external strobe(s).
This Nikon digital camera provides excellent results at a very realistic price. Drop into the housing for a fun and satisfying experience. All camera functions are accessible. An optional DS series strobe placed farther from the lens improves the photographs by reducing the illumination of particles in the water.
Back in the 80's, long before digital cameras, and many of today's UW photographers, were born, IBM came up with a brilliant idea. They distributed coffee mugs to employees of computer centers. On each of these mugs was printed the one word THINK in many different languages. At the end of the day or trip you'll have a large collection of uninteresting images that will put any coworker or friend to sleep. Double that if two cameras were used and possibly hundreds of times that with a digital camera.
The Substrobe DS160 is compatible with all Ikelite TTL systems and current digital cameras, as well as all older TTL film cameras including the Nikonos system. A variety of sync cords, sensors, and TTL adapters are available to connect to almost any camera system currently on the market. SeaLife has introduced its most advanced digital camera. Sleek, modern design meets hightech functionality in SeaLife's new DC800 8-megapixel camera. The YS-llOa introduces numerous new exciting functions. For example, by connecting it to digital cameras with pre-flash function using a fiber-optic cable, the YS-llOa can be used in the fully automatic DS-TTL adjustment mode (Digital Slave TTL). The DS-TTL adjustment function is also available using the light level control dial for fine control of the light amount when taking pictures in DS-TTL mode. You can also choose from 13 levels of manual control. Fantasea Line announces the release of a new housing specifically designed for the Canon PowerShot...
Ever wondered, half way through a liveaboard trip, whether your pictures are even coming out Digital cameras are turning underwater photography on its head. For as little as 450.00 you can buy a digital camera and housing. And that could be all you need to take great pictures. In fact less is definitely more. Digitals are usually less bulky than conventional underwater cameras and offer more user friendly features. Like the ability to replay all of your images right after the dive (even during it with some systems). It makes learning to use your camera much faster and gives you confidence that your pictures really are coming out. For more information call Ocean Optics. And if you didn't see much of Andrew last April, it's because he was in Redang, Malaysia, trying out the Olympus digital cameras with the new Inon flashguns and lenses. With Ocean Optics paying his way.
This 10.5 x 8.5 144 page book is a reworking of Howard Hall's original title first published in 1982. This new version, as well as being much larger in size, also contains many more excellent photographs, mainly from Brian Skerry. The big attraction of the original version for me was that the photographs included very detailed captions about the location, subject behaviour, how the shots were achieved as well as full camera details and settings. Effectively, it gave you everything you needed to know to achieve a similar shot. The new version follows the same delivery for the most part but there is a high percentage of photographs which have very little camera details and virtually no caption save naming the subject. Personally I think a good educational photo book should have the full details for each photo accompanying them otherwise there is little point in including them. It's a shame that this book doesn't for all its excellent photos.
Most underwater photographers are concerned to protect the environment in which they take their pictures and to avoid stressing marine creatures when they are taking their images. This is good for the marine environment and leads to better photographs. This Code sets out good practices for anyone who aspires to take pictures or video underwater. Many aspects are also applicable to the general sports diver. BNo-one should attempt to take pictures underwater until they are a competent diver. Novices thrashing about with their hands and fins while conscious only of the image in their viewfinder can do untold damage.
Whenever appropriate, damaged areas should be documented with still photography and closed-circuit television. Still photography provides the necessary high definition required for detailed analysis, while video, though having a less sharp image, provides a continuous view of events that can be monitored by surface engineers and recorded for later study. All photographs should be numbered, dated, and labeled with a brief description of the subject. A slate or other designation indicating the subject should appear in the photograph. When color photography is used, a color chart should be attached to the slate to indicate color distortions. Video tapes should be provided with a tide and lead-in, describing what is on the tape. The description should include the method of inspection used, the nature and size of the structure being inspected, and any other pertinent information. A debriefing with the activity personnel, with slides or photographs, should be conducted before leaving the...
The vehicle's ability to obtain specimen water samples and photographs directly affects the design of the vehicle more than the addition of oceanographic instruments. Water samples are to be collected using a series of small automatically closing specimen bottles, and two digital cameras are used to document what is floating through the water column. The AUV-Powered Glider was design using the following parameters The vehicle is designed for easy assembly and disassembly, with easy access to the batteries and the two 17-inch diameter, 3 8-inch-thick vehicle control system and scientific pressure housings. The objective was to use cost-effective solutions to keep the overall budget of the vehicle reasonable. The version shown in figure 14 is for marine biologists, biological oceanographers and other scientists needing samples and photographs of organisms in the water column.
La it jW n dream to b* able to take wonderful photographs like these, Most people's first experience of the underwater world comes when snorkelling, but, once we have learned to use SCUBA, few of us regularly go back to the humble snorkel. Underwater photography usually follows learning to dive and as a result many of us will have only rarely taken photographs while snorkelling. I think that this is a big mistake. A snorkel is my favourite accessory for UW photography techniques, freed you from divemasters and other photographers, let you take pictures in photogenic environments filled with different species, let you shoot without flash and gave you unlimited time with your subjects Would you want one Would it be your favourite underwater photography accessory What if I was to tell you that it is already in your dive bag Above ntroducing a diver to your wreck photographs provides that sense ofexploration. The best results come from using a dedicated model rather than hoping for a...
The results of visual surveys are usually presented in the form of a brief report describing the findings with relevant photographs attached (NFESC has a procedure to embed digital photos into AUTOCAD drawings, this is a good way to file the photos). The report is usually issued as an attachment to the bathymetric survey results.
The diving is carried out from huge Naiad rigid inflatables which are fast and comfortable. You simply need to carry your camera gear from the dive deck Digital photography is a breakthrough for underwater snapshooters. Now you can choose from no fewer than 13 different Olympus digital cameras to take underwater.
Even if, like myself, you're a far-from-enthusiastic member of a SCUBA club, you'll have that all-important access to a swimming pool on a regular basis - and while others are honing their dive skills for the nth time, or fitness training, you can be playing with an underwater camera. And it should be playing, in my opinion, since nothing kills creativity more quickly than over-regimentation. I dive for pleasure, and I take photographs for the love of it - so, do I really want to lose this buzz by making it an onerous task or sheer hard work Answers on a postcard, I don't think Thirdly, you will inevitably start to surprise yourself with the photographs you take during the weekly club night pool sessions - no one can take the same pictures over and over again forever, and you will be forced to become more creative - especially if you normally tend to stick with a particular strobe set-up or favourite lens, which you can also begin to vary as you
Ernie Brooks is a gentleman of the sea, a teacher who is also a scholar, a photographer as visionary whose collected work makes him an environmental philosopher. Ernie Brooks's insights into the world beneath the sea are not merely interesting, they are inspiring, exciting photographs that make you want to pick up a camera and rush to the sea.
Most underwater photographs are taken of small areas, in shallow, bright conditions. A pretty biased view of the oceans This article is about redressing the balance and tells the tale of how Finnish photographer, Jukka Nurminen, went about photographing the Wreck of the Vrouw Maria (Lady Mary) in the almost pitch darkness of the Baltic Sea. As Jukka succinctly puts it Down below 40m there isn't time to mess about with your camera so it was important that both he and his buddy were familiar with such ungainly kit before the rare opportunity was afforded on the wreck. We did a test dive during which we tried to overturn the tripod and practised how to move and adjust it which was a great help for the real action When taking pictures in
Linda Dunk, the first woman chairman of the British Society of Underwater Photographers. She won BSoUP's open portfolio competition in 1994, 1995 and 1996 and was second in the Society's beginners' portfolio competition in 1993. Having enjoyed being in the business of taking pictures of the marine world for over ten years, Linda is keen to encourage more women to become active in this challenging but rewarding field. Martin Edge, who has a great passion and flair for teaching the skills of underwater photography and, probably more than any other person today, has improved the general standards of taking pictures in the sea. His book, The Underwater Photographer , is now in its second edition and continues to be a popular guide to successful underwater photography. Martin has led innumerable photo expeditions around the world. Charles Hood, won the top prize and the title of underwater photographer of the year in Dive Sights 2000. He is constantly experimenting and breaking new ground...
This year, the first day of the conference will conclude with a social evening during which popular Greek photographer Constantinos Petrinos, who is gaining a growing international reputation, will launch The Realm of the Pygmy Sea Horse , a coffee table book of photographs and information about the marine life in Kungkungan Bay and the Lembeh Strait. As well as talking about the five months during which he took 25,000 pictures, Constantinos will describe the trials and tribulations of publishing the book himself after disappointments with several publishers.
Since April 2002 digideep.com helps divers around the world to find a housing for their digital camera and to locate dealers specialized on underwater imaging. The website provides a perpetual up-to-date market overview of the essential equipment for digital underwater photography, including compatibility charts, matching digital cameras to underwater housings, weekly photo contest and camera settings. should not know an underwater housing for your camera you can subscribe to an automated email service. It will notify you as soon as new housings become available. The aggregated requests are anonymously forwarded to housing manufacturers to speed up the process of bringing new underwater housings to the market. Visitors who are new to underwater photography will get help in the site's forum. The forum features a community of over 1700 helpful underwater photographers, living in more than 60 different countries and travelling to many more. The kickstart success of this website...
Candice (she never uses her surname) came into photography by a circuitous route. She used to work with horses in New Zealand and Australia, before setting off to backpack round the world. A qualified diver, she was inspired to take pictures after diving off Australia's beautiful Great Barrier Reef.
Travel Masters, based in Austin, Texas, specializes in dive and adventure travel. It is as easy as 1) a dream, 2) a c-card and 3) Travel Masters You are guaranteed to keep your camera busy when you arrive, and there's nothing wrong with letting a skilled agent take care of the details for your trip of a lifetime.
The Fantasea CP-3 housings, like the CP-4, are rated to a maximum working depth of 130' 40m underwater. It is an injection molded plastic housing, constructed to take the rigorous environments that underwater photographers and outdoor photographers experience, and will protect digital cameras in these demanding activities. The housing offers push button controls that will provide access to the camera's most important controls and features. The CP-3N is a compact ergonomic design for easy one-hand shooting. Its operation is equally
Apart from the dive exhibition, ADEX 2002 also features important forums, such as PADI Member Forum, NAUI Worldwide Update for NAUI Instructor and seminars by worldwide dive operators. ADEX Photo Gallery is also set to be inside the exhibition hall for those who love underwater photography and other interested visitors.
This Olympus digital camera features 5.0 million pixel resolution in an incredibly small size. The housing provides controls for all camera functions, and the LCD monitor is easy to see through the housing back. The flash built into the camera can provide very fine photos, but an optional DS series strobe placed farther from the lens improves the photographs by reducing the illumination of particles suspended in the water.
I want my photographs to appeal to both divers and non-divers and to do this I often experiment with split level underwater photography. To see both above and below the water is to understand the environment where the photograph has been taken. It gives the viewer a greater sense of the location. To take my photographs I use a Nikon F70 with a 20 mm lens in a Subal housing. I have so far only been using Fujichrome Provia III 100 ASA slide film and have found it ideal. I usually have several sketches of what I want to see in my photographs, this enables me to determine my composition. In the water when I compose my shots I can assess which part of the image would work best in focus. Using only natural light and the camera set to manual, I bracket my shots between the light readings from the surface and
Our subjects, the seals, were in less than three metres of water and, although clear for most of the year, our visit coincided with an unseasonable plankton bloom. In our favour the Cornish sun was shining and the sea was flat so our enemy was to be backscatter. There were several options to overcome this. The use of ambient light and avoiding strobes altogether, twin strobes swept well back on long arms, shooting up or down and aperture priority with fill-in TTL flash.
Underwater photographers are often accused of being too conservative in their picture taking. But we do have some good excuses first we are already adventurers in an alien environment, where recording clear, sharp and well exposed images is fraught with technical difficulties. In addition, many of our subjects are unfamiliar to our audience, so it makes sense to capture this other world as clearly as possible. Consequently, underwater photographers tend to stick to tried and tested techniques and as a result many underwater photographs look rather alike, with differences in subject matter but not in photographic interpretation. But as more and more photographs are taken underwater, photographers are increasingly looking for a fresh take on familiar subjects. Land photographers have been doing this for years, and underwater we can take a shortcut to original and effective images by borrowing techniques that are widely used on land. In this article I will relate my experiences of one...
Flash on a digital consumer camera is enveloped with the Clear Photo System which cuts all visible light from being projected. The non visible infra red light which is invisible to the naked eye is transmitted through the clear polycarbonate housing down a multi core fiber optic to activate the INON D-2000. Digital cameras which fire pre-flashes are also fully compatible with the INON 'S-TTL' system. The INON D-2000 is controlled by the camera to obtain accurate exposures. The CCD in the digital camera measures the INON D-2000 strobe light coming through the camera lens. From there the camera will cut off the internal flash which then cuts off the D-2000 flash when your camera has recognized the correct exposure of light - S-TTL their knowledge of what the Digital Camera Consumer wants from a Housing warranted bringing this excellent product to the USA and the underwater photography consumer. www.oceanbrite.com
Its ten chapters cover some basic questions such as 'Film or Digital ', 'Equipment Considerations' and 'Creative Lighting Techniques', while there are others that purport to reveal the secrets of 'Creative Composition', 'Telling Stories' and the (for me) more interesting approach, 'The Art of Photographing Behaviour'. Each chapter - the book is spread over 176 pages - carries pleasant enough photographs (but hardly awe-inspiring ones, as the publisher's The stated aim of this guide, as is so often the case with How To manuals, is to allow readers to stop taking pictures and start making them , which is a noble aim and one
This Waterproof Case is an optional accessory designed exclusively for COOLPIX 2200 and COOLPIX 3200. The case allows you to take pictures safely in the rain, on the beach or even underwater to the depth of 40m. This high-quality Waterproof Case is an optional accessory designed exclusively for COOLPIX 5200 and COOLPIX 4200, allows you taking pictures safely in the rain, on the beach or even underwater scuba diving or other water sports to the depth of 40m. The new fantasea CP-5 is designed for the Nikon Coolpix 4200 and 5200 digital cameras and will be available in August 2004. Especially designed for the Nikon D70, a 6.1 mega pixel single reflex digital camera with interchangeable lenses,the
I feel sure that cameras like the D70 will open up digital photography underwater to a much wider audience and this can only be good for underwater photography. The focal length is the distance between the rear node of the lens and the point of focus when the lens is focussed on infinity. Focal length is often used as a guide to angle of view but this can be misleading. For example, digital cameras with chips smaller than the normal film-size frame appear to give a certain telephoto effect. for Canon 10D and Nikon D100 Digital Cameras
UN, who design and manufacture the popular PT housings for Olympus consumer digital cameras, have released two new lenses. The wide angle lens is a 0.58 reducer which provides a much greater field of view than the wide setting on the cameras own zoom. Digital cameras usually offer poor wide angle capability which is further impaired by being used
Successful images have a subject that stands out. Too often I see photographs where the subject blends into the background (sometimes called negative space) and simply fails to grab ones attention. This often occurs when shooting down on a subject. If you are aware of this problem when composing an image there are various ways to make a subject stand out or pop . Making a subject pop involves creating contrast between that subject and its background or negative space. There are three easy ways this can be accomplished. What makes a picture work If an image is pleasing to the viewer it works, and generally this means that it is composed well. There are two ways to accomplish this. The first is to think about what makes good composition while shooting your pictures and the second is to take all the pictures from a given photo shoot and throw away those that are badly composed. Which makes more sense It isup to the reader to decide. I personally find that unless I think about composition...
The DX5000 has t and weight of a compa camera, with the functionality, flexibility and resolution of an SLR system. Utilizing the Nikon Coolpix 5000, this system combines standard Sea & Sea features such as underwater changeable lenses and ergonomic design with Nikon's hi resolution compact digital camera. With a large shutter release and buttons for almost every camera function, the DX 5000 housing lets you take advantage of all the great features that Nikon has put in to the Coolpix 5000.
The explosive development of digital photography technology has created an environment of total confusion for most people. To assist the growing numbers of digital camera users, iprintfromhome.com has been launched as a digital photo developing system. This online imaging service enables digital camera users to utilize the Internet to upload, store and order prints and slides from digital images. The company's founder and owner, George Campos, says firsttime digital camera users don't realize that they can get the same quality photographic prints made from their digital images as they did when they shot traditional 35mm film. Iprintfromhome.com offers a simple user interface that allows customers to effortlessly upload and professionally print images on Kodak paper or 35mm slides. Iprintfromhome.com is a bridge between the new digital camera technology and what people really want - quality prints and slides. This site offers customers an easy to use interface as well as a quality...
Charles Hood, won the top prize and the title of underwater photographer of the year in Dive Sights 2000. He is constantly experimenting and breaking new ground with his approach to taking images in the sea and has a vast experience of taking pictures in British waters as well as overseas. He was one of the first to use two synchronised TTL flash guns underwater and took numerous awards at BSoUP and other international competitions before changing his focus to taking pictures that sell.
My previous visits to the islands were to photograph the many species of dolphin that make the Bonins a regular stop-off, if not their home. Bottlenose (T. truncatus), spinners (S. longirostris) and pan-tropical spotted (S. attenuata) dolphins are quite common, with orca (O. Orcinus) and other larger species being sighted less frequently. The local bottlenose are particularly fond of checking out humans in the water, and the crystal clear, unspoiled blue water makes for wonderful photographs.
Inon make two strobes that are ideal for users of popular digital cameras like Olympus, Canon and Sony. Both the 180s and the 180 offer high power combined with up to 110 degrees coverage for wide angle lenses. Both offer automatic exposure and are fired by a reliable fibre optic cable.
Similar to compact digital cameras the D3's rear screen can be used to view the frame before exposure. There is a drawback though to using Live View. The camera needs the mirror to be down in order to use its super fast phase-detection auto-focus. That is, it can't focus on-the-fly with the mirror up. Thus you have to slightly depress the shutter, wait until it focuses (the mirror drops) and then depress full way down to take the image. Here again if using wide-angle lenses it isn't an issue but for macro it's virtually useless, unless the subject is static. Staying with the rear display, it has to said, it's massive. Being a gigantic 3-inch 920,000 dot TFT LCD monitor it gives true VGA (640x980) resolution and can be viewed at up to around 170 degrees. It is also considerably brighter and clearer than older Nikon DSLRs.
Digital photography has made significant advances in the past couple of years. It isn't knocking on the door of 35mm yet but I'll bet anyone a fiver (five lira, that is, if I lose) that in about five years time it will be a serious contender for underwater use. The range of consumer digital cameras falls roughly into two types - automatic point and shoot or user controllable. I tried both on a recent trip and thought you might be interested to know how it went.
In his spare time Tony had by now entered the diving world. It was as a diving instructor working weekends for a local school that the owner a certain Dick Davies began encouraging him to start taking underwater photographs and for some time Tony was having none of it. Until one day Dick lent him a Motor Marine II and here is where the love affair started. Through the next 18 months he gradually gained confidence with his new toy and the frustrations of flooding it twic,e until came the day of decision either
Go back to the inflexibility of TTL exposure when they can shoot manual flash and get instant feedback from their LCD screen. I DO use TTL with my digital camera -1 think it is excellent for free swimming fish photography when the subject to camera distance is constantly changing. But for macro where the camera to subject distance is pretty constant, we can shoot a test exposure and the be sure all our subsequent shots are correctly exposed. With manual lighting we have
Above TTL will do a good job with the main subject if it is large in the frame. If not it is best to bracket the TTL (if your camera lets you) to underexpose slightly by about 1 3 to 1 stop. With manual flash I find I often reduce the flash lighting by about 1 stop from a flash only exposure.
In this article we'll be looking at basic entry level digital cameras rather than the more expensive digital SLR (single lens reflex) cameras. A lot of the terminology applies to both types of cameras and we'll look at D-SLR's in the next issue of UwP. Traditional film cameras and modern digital cameras achieve basically the same results but they do so in completely different ways. As their name implies, digital cameras convert light into data which can be used to generate an electronic photographic image. The light is captured on a small CCD (Charge coupled device) sensor and the data recorded can be either viewed on a computer screen or printed onto paper. Traditional cameras use light sensitive film to record the light levels and chemicals are then used to convert the film into a form which our eyes can recognise i.e. a transparency or print. The two main file formats used by digital cameras are TIFF and JPEG. TIFF is an uncompressed format and JPEG is a compressed format. Most...
This 168 page 11 x 11 book is attractively laid out and very thorough in its coverage of the subject matter. The photographs are excellent but it annoys me that the credits are all on the back page so if you want to know who took a particular photo you've got to go to the back page and search for the page number as they are not listed numerically. This may not irk most readers but I think it does underwater photographers.
Back in UWP 11 Peter Rowlands wrote Filter Fulfilment an article encouraging us to use coloured filters as the alternative approach to using flash to get colourful underwater images. My aim in this follow up article is not to convince you that this technique works with before and after shots PR's article convinced me Here, I plan to go into a bit more detail and pass on some of my ideas about how to get the best out of this technique of combining coloured filters with a digital camera. Digital cameras make getting colourful shots without flash very simple. Nikon D100, Subal housing. 16mm lens. 40CC Red filter. 1 100th f9.5
So if you want bright colourful photographs then you must reduce this light path by The actual light level is often hard to judge, as the human eye does a superlative job in adjusting for varying light levels and colour balances, but you can be assured that the vivid colours and crisp shapes you saw on that 25m wreck will come out looking grey and muted in your photographs. Contrast is important to all photographs, especially underwater images, but is easily lost, as the deeper you go, the more the light source will have been diffused and scattered by the water. Photographs Now while that is all very interesting (and you'll need to understand it when we go on to the next bit), this wasn't Marvin's problem, as he had been taking his photographs at about 10 metres in the middle of the day. So how did Marvin get on Well he didn't have any previous experience with slides, and wanted some normal prints that he could show his family and his friends at work, so he chose to use a PRINT FILM...
This picture finished first in the black and white pictures. It is my least favourite of the photographs I entered into the Antibes Festival - which I guess shows how subjective picture judging is I took this picture at the wreck of the Oro Verde in Grand Cayman. I used my Nikon F100 + 28-70mm in a Subal housing and two Subtronic Alpha flashes. The film was Kodak Elitechrome extracolor (colour slide ) I drained the colour from the image on the computer before printing. Exposure was on aperture priority (f22), with slow, rear flash synch at (1 2 sec).
Fortunately modern digital cameras have circuits which can adjust colour balance but, in most situations, they still need additional filters to achieve the correct result. The Man who bought a Navy is 249 pages and has over 100 photographs. The unfortunate point is that this book comes at a time when underwater photography is hurtling into the digital age and I suspect that the majority of people starting to take pictures underwater will do so with a digital camera. The basics of photography do not change for digital but the way images are recorded varies dramatically and there is a new learning curve to follow. Colin Bateman died in 2002 aged just 49. His wife Lorraine decided to produce a limited edition 157 page book of his photographs to help generate funds for the ScubaTrust, a charitable organisation whose aim is to give people with physical disabilities an opportunity to experience the pleasure and excitement of snorkelling and scubadiving.
To create good separation with lots of shadows and mood we once again rely on strobe dominated shots. Balanced light pictures don't usually work when you want to separate your subject. No point trying to isolate your strobe only to have the shadow areas filled in by the ambient light. With that in mind, the same high f stop (f 22 and above if your camera supports) and fast shutter speed (1 125 or faster) applies. Accurately aiming your strobe takes a little experience. Due to the taping up of your strobe, high f stop and fast shutter speed, a poorly positioned strobe would leave your subject totally in the shadows. So take your time to get it right. Remember, those pictures you see in magazines didn't happen within 1 frame, taking more than 10 frames for 1 good shot is not uncommon.
Successful images have a subject that stands out. Too often I see photographs where the subject blends into the background (sometimes called negative space) and simply fails to grab one's attention. This often occurs when shooting down on a subject. If you are aware of this problem when composing an image there are various ways to make a subject stand out or pop . Making a subject pop involves creating contrast between that subject and its background or negative space. There are three easy ways that this can be accomplished. The first is to think about what makes good composition while shooting your pictures and the second is to take all the pictures from a given photo shoot and throw away those that are badly composed. Which makes more sense It is up to you, the photographer, to decide. I personally find that unless I think about composition while shooting that I have far too many images to throw away when culling. While finding good subjects is essential to underwater photography it...
I was at sea scuba diving in the uninhabited Similian Island chain, an 8 hour boat ride from the island of Phuket, when then first wave came through. What would follow are a series of events that changed the lives of so many people forever. As an up and coming underwater photographer, I had planned on spending the week taking pictures of the breathtaking beauty of the reefs and island scapes, however, I spent the last 2 days documenting the devistation, destruction and compassionate rescue efforts that not even images can properly portray. We have experienced the two extremes of paradise. The idyllic beauty and the sheer destructive power of the amazing planet that we inhabit.
The inclusion of a diver in any sense is not mandatory. Chris Newbert, author of 'Within a Rainbowed Sea' and 'In a Sea of Dreams' stated in a magazine interview that diver pictures were the most boring and redundant photographs on the face of the earth. In complete contrast American Skindiver magazine publishes numerous pictures of bikini-clad models, just posing for the underwater camera. The impression of an underwater beauty pageant or fashion parade cannot easily be avoided. These are two extremes of opinion, neither right nor wrong. My own opinions and views on this subject are just
Now our idea of waterproof is not the same as Olympus's. To them it really means 'moistureproof' i.e. don't run it under a tap but you'll be fine in the sauna, though why you should be taking pictures in there is nobodies business. Whilst to us mild eccentrics this is nowhere near waterproof enough, to your non-mild eccentric it is a very useful specification because you don't have to worry about Armed with a simple Olympus C40 entry level digital camera (4mp which produces jpg shots about lmb in size which will print excellent A4 prints) I stood in one place and took 5 consecutive shots from left to right making sure I had left plenty of overlap from one shot to the other. It Fast forward back home to the tail end of a British winter and I downloaded my digital photos onto my laptop (a true holiday, by the way, is a diving trip without the diving and without a laptop and internet access ). Once I had dealt with the e mail backlog and sorted out the Nikonos repair estimates I started...
Conceived by the authors of best selling 'Essential Guide to Digital Photography', the New Digital Underwater Photography & Writer Workshop has been developed for divers who want to take their underwater photographic skills to the next level. With a modular course structure, participants will be able to achieve certification and acquire skills that are far beyond just taking a technically correct photograph. The emphasis is to help aspiring photographers to compose and paint' a picture with a camera, using both natural and artificial lighting. Catering for both Novice and Advanced shooters (Prosumer and DSLR), there are two course syllabuses to choose from the Absolute Essentials and Advanced Essentials. The digital photography workshop modules also include the essentials of post editing using Photoshop and other tested software to create multi-media presentations. The program schedule allows for maximum shooting time. The lesson modules, plus the formal and informal critique sessions...
Three of Grand Cayman's top dive operators, have joined up with Dive Chronicles Magazine to offer an exclusive week of digital photography with over 20,000 in prizes to be awarded Plus we're talking world class diving here, with awesome photo opportunities and diving especially geared towards photography Clinics for your images and talks on digital photographic techniques will be held at each of the participating properties during the week, with an Awards cocktail party on Friday Evening on January 28th, 2005. The Oregon Coast Digital Center is an enhanced learning center featuring in-depth digital classes. Jack and Sue Drafahl have taken their 30 years of photographic experience and designed a work environment to help students better understand the digital realm. They provide personalized instruction on digital editing and specialized digital photography topics.
Unless you rinse and dry your camera thoroughly there will be a small amount of water trapped just outside the main O ring seal. When you open the camera back, it is possible that this water can get past the O ring as the pressure on it is released and it sits looser in the O ring groove.
There a number of reasons why having a digital camera makes this type of shot more accessible than with film, the major one being the instant review. When focusing on a subject only centimetres from your dome lighting is critical and here not only are you trying to light your subject but the immediate surrounds and at the same time balance that with the ambient light of the whole scene. Getting areas dark or hot or blown out is a real problem but when you can see your image on the LCD straight away you can deal with that on the spot rather than when you get home Using the highlights and histogram screens can help too. Since switching to digital I have not found the loss of TTL at all distressing. In fact with fine adjusting strobes and instant feedback I have found that the manual control allows perfect exposure of situations, like a white frogfish on black sand, where TTL would struggle. Indeed the talk of inability to deal with contrast I almost find the opposite being true Even...
The most appealing underwater photographs are often those wide angle scenes which have an entirely natural look to them - the foreground is colourful and well exposed whilst the background is also visible and appears to stretch away into the distance. This effect is produced by using a mixture of natural or ambient light and flash or strobe light, which adds back the lost colour in the foreground subject. To achieve this we need to master one of the most essential skills in underwater photography, which is balancing these two light sources sometimes referred to as fill flash exposure. If you are using TTL then you would meter the background and set the aperture for the natural light exposure and then take the shot assuming that the electronics will quench the flash. However, most of us are using Nikonos compatible flash guns with our housed camera systems which under most circumstances offer very good TTL exposure control. The problem is that no matter how complex your camera's TTL...
Its purpose is one of global communication, discussing underwater imaging related issues. Topics covered include the exchanging of tips, information and experiences. We would also be happy to hear announcements of industry related shows, publications and equipment. With the popularity of digital cameras and DV on the increase discussion will cover both conventional (film) and digital
Back onboard the boat everyone enthusiastically recounts their shark encounters. Some bring back proof in the form of bright white shark teeth others capture digital photos and videos. All are excited and many stories are exaggerated over the long ride home. The sharks get bigger and the encounters become closer. The guy with the foggy mask swears that there weren't any sharks down there. The spear fisherman talks about that giant grouper that he would have shot if there were not so many sharks around. In the end we all feel fortunate to be able to visit these The dives can be deep so wide angle lenses coupled with powerful strobes are preferred for close up portraits. A 60MM lens or similar can produce nice images when the sharks are harder to approach. Black and white images work well when there is a lot of particulate in the water column. Some stunning ambient light photographs have been taken highlighting the schools of sharks around the wrecks. Typically all a photographer has to...
Ikelite also offers a full line of housings for Non-SLR digital cameras. Beginner, amateur, or pro, simply get an Ikelite housing for your favorite digital camera. Choose from Canon, Nikon, Olympus or Sony, Ikelite makes housings for several camera models from each of these manufacturers. New digital cameras are being introduced at a rapid pace. For the latest information on new digital housing models visit our web site. An optional DS series Ikelite digital SubStrobe improves the photographs and accentuates the underwater colours. Inon AD Bayonet Mount permits quick and easy 'one touch' underwater attachment and removal. Inon AD Mount Base Adapters available for many popular digital camera housings. for Canon 10D and Nikon D100 Digital Cameras
Ever wondered, half way through a liveaboard trip, whether your pictures are even coming out Digital cameras are turning underwater photography on its head. For as little as 450.00 you can buy a digital camera and housing. And that could be all you need to take great pictures. In fact less is definitely more. Digitals are usually less bulky than conventional underwater cameras and offer more user friendly features. Like the ability to replay all of your images right after the dive (even during it with some systems). It makes learning to use your camera much faster and gives you confidence that your pictures really are coming out. For more information call Ocean Optics.
Hasselblad 500C with Zeiss 50mm Distagon in a Hasselblad housing. F8 1 60th. Sea & Sea YS120 on 1 2 Power. Fujichrome Provia 100ASA. Scanned by photographing transparency on a light box with a digital camera. digital cameras, or pixel sizes of computer images). using the Hasselblad in well lit waters, and the depth of field has not been reduced too critically. To enable me to use smaller apertures and increase depth of field I have tended to use 100 ISO film, where I might shoot 50 ISO on 35 mm. Even higher film speeds could be used to get around this problem, especially with the increased quality of fast slide films introduced in the last few years. Another solution for the reduced depth of field is in subject selection and composition. A simple background is not harmed by being out of focus, for example blue water is not ruined if it is not sharp. In my opinion reduced depth of field can have a positive effect. Many underwater photographs are taken to maximise...
Next ask a few more involved questions such as what is the battery life like Can the built-in flash be used with the camera's housing or does a shadow occur if there is a large port on the housing Is possible to fit external lenses onto the front of the housing For those passionate about wreck photography, a wide-angle lens on the front of the housing is a must to photograph large subjects. However, for those who are crazy about nudibranchs and macro photography, this might not be so important and may decide on a strobe as their first compact camera accessory to really bring out the colours of their subject. Would you like to get really creative with your underwater photography and have full manual control over your settings to change both the aperture and shutter speed of your camera to achieve darker backgrounds with your photographs Or if you are shooting with a strobe, being able to adjust the aperture settings on a compact is absolutely essential to control the lighting of your...
We live in a hurly-burley disposable digital age. When it comes to technology we all want the latest and greatest, and we want it now. Or preferably yesterday To meet this demand, digital products can be rushed to the market without due care and attention and everything from computer software to digital cameras regularly receive user installable updates to fix bugs and improve performance. Nikon have taken a different approach with their new flagship digital SLR, the 12.4 megapixel D2x, and have only released it when they were ready. The D2x is late, and my early impressions suggest that it has been well worth the wait. Personally, I have never shot a digital image underwater at anything other than base ISO , but I feel obliged to mention the ISO performance since it is such a hot topic in digital debates. I have found the image quality to be exceptional at the base ISO of 100, excellent at ISO 200-400, and good at ISO 800 when used with flash. At ISO 800 the noise is visible when the...
The DCS Pro 14n is Kodak's sixth-generation professional digital camera and is primarily designed for professional and commercial photographers, but will likely be popular with advanced amateurs as well. Built on a Nikon lens mount, it adds speed, as well as quality, to the photographers' workflow through FireWire connectivity at a 12 MB per second transfer rate. The Kodak Professional DCS Pro 14n Digital Camera is leveraged from a Nikon lens mount and the magnesium body is more durable and robust than plastic digital cameras based on similar camera platforms. The DCS Pro 14n uses cast magnesium encasements for a solid, rugged camera body instead of the plastic encasements commonly used by other manufacturers. The robust body includes a vertical trigger that works in conjunction with the camera's auto orientation sensor. The sensor detects the camera's orientation + - 90 degrees from the horizontal position. This enables automatic rotation of the image as it moves to a computer for...
Ikelite also offers a full line of housings for Non-SLR digital cameras. Beginner, amateur, or pro, simply get an Ikelite housing for your favorite digital land camera. Choose from Canon, Kodak, Nikon, Olympus or Sony, Ikelite makes housings for several camera models from each of these manufacturers. New digital cameras are being introduced at a rapid pace. For the latest information on new digital housing models visit our web site. New digital cameras are being introduced at a rapid pace. For the latest information on new digital housing models visit our web site.
Of course there are other directories online, but nothing like this. DivePhotoGuide.com is on the way to becoming the most comprehensive dive operator directory in the world, catering mainly to underwater photographers and videopgraphers. Currently divers and photographers can sign up for a free beta-membership with access to photo galleries from some of the top underwater photographers in the world, centralized photo contest calendars and breaking about diving and underwater imagery. The DPG Dive Operator Directory will officially launch during Celebrate the Sea in Singapore this June.
Sitting on a hard base of white tubes, they stand out against the muddy lough bed. At feeding time, with the reefs in full bloom, the bottom suddenly comes alive. At first, the idea of taking photographs in these conditions seemed fanciful. Divers have been known to miss the reefs because of the low visibility. Each individual specimen of tubeworm, probably not be found here otherwise. Watching these animals will test your buoyancy and breathing control. Serpulids are extremely sensitive to any light, noise or vibrations. The slightest disturbance and the colorful beasts retreat in a wink. Unlike critters that dart away and never reappear, the serpulid worms are soon out again. They cannot leave the reefs, they are the reefs, and I have aged taking photographs of them
Since then I have been working on a limited budget in England and have even been taking photographs in the bath. It can be rewarding knowing you can still produce beautiful pictures at home. Although it was frustrating looking at other peoples work they'd been around the world to do. It is such a bonus being able to travel and witness new things, while taking pictures. There is a certain amount of luck involved in taking photographs. With drawing I know I am using my own skills and there is nothing else involved, it is almost like I am using an extra sense. It helped my confidence to draw, knowing I had the security of already having some good sealion shots and it helped my photography as drawing is real lesson in looking. Photography always comes first though. I always finish my film before swapping over and using the drawing board. I think this is mainly because you have to take the opportunities to press the shutter when you can, and maybe I still have that fear of not getting a...
Photos Forever has a user friendly interface that is so simple to use, that even the most inexperienced digital camera user will be backing up their most precious memories to a CD or DVD within minutes. This is a first announcement of our intention to run an advanced digital photography workshop on a North Red Sea liveaboard in early July 2006. Alex Mustard will be leading the trip including giving a series of evening talks on the techniques of digital photography. The London Aquarium is hosting an exhibition of underwater photography by Linda Pitkin. This exhibition will feature a selection of her stunning images of marine animals and scenes from tropical and temperate waters around the world. Her photography features widely in many media, ranging from books, magazines, and national newspapers, to uses in advertising, and in an IMAX multi-screen presentation. In conjunction with her exhibition, which marks 25 years of her diving and underwater photography, Linda Pitkin is offering...
The camera offers the possibility to swap over to photo mode. To switch over, you have to move the on off button to the left. However, I was so desperately focussed on recording a full-motion video and searching for suitable fish and compositions, that I completely forgot to take pictures. The lamp's switch is simply mounted to the handle of the underwater housing. Activating and deactivating the light happens smoothly by turning the button. I was able to do it immediately without having to let go of the handle.
What to do when the photography urge itches but you can't get wet Answer grab your camera gear and go to a nearby aquarium. And grab your diving gear just in case some aquariums, as my daughter and I found out, do let you jump right in. Many aquariums of course recruit volunteer divers for fish feeding and tank cleaning duties. That is a good option for local divers. But what's the traveler to do We have found, to our delight, that you do not always have to be in the water to take interesting underwater photographs. The jellyfish tank on the cover page - this one in Cape Town's Two Oceans Aquarium - certainly evokes plenty of underwater memories. More on Cape Town later in the story. All pictures taken with an Olympus C-3040Z digital camera, using an Olympus PT-010 housing for the underwater photographs. The focal-length data is digital. 7mm digital corresponds to 35mm and 21mm digital corresponds to 105mm for a 35mm film camera. The kelp and shark-tank pictures were taken with an...
Join Photo Pro and Diving Adventure Magazine Senior Writer Rod Klein on a diving adventure of a lifetime in the fantastic Solomon Islands October 6-20, 2009. Visit Rod's Solomon Island photo gallery to see for yourself what great diving is in store http www.rhkuw.com gallery solomons08 index.html
I never expected to keep a digital camera this long. I had my D100 from 2002 to 2004 and when buying my D2X on the 25th February 2005 (the day it went on sale) my accountant agreed that it should be written off by the business over a similar two year life-span. Three and a half years in and it is still going strong. I wrote in my original D2X review that it was a very overdue camera for Nikon, but at least they had taken the time to get the product right. And so it has proved with its reliability and longevity of image quality. which I use for almost all my photographs. For those who want to get technical I primarily use continuous autofocus in group dynamic, pattern 1 with closest subject priority. This mode works very well with the D2X's AF, but does not work well on the D200, with its less powerful AF system. I switch to other AF modes when subjects require them. captures your mistakes with the same clarity. Its rather like shooting medium format, if you are sloppy with your...
This is a comprehensive fish identification guide covering the fish-rich reefs of the Pacific. There are 2,500 photographs of 2,000 species from four of the best marine life authors in the business. Their collaboration makes it possible for underwater naturalists to identify fishes from Thailand to Tahiti with a single, compact, easy-to-use, no-nonsense reference. 108 fish families are presented in one of 20 Identification groups based on a family's related visual or behavioral characteristics, such as LargeOval Colorul or Sand Burrow Dwellers. Photo Galleries 8t Details at www.citvseahorse.com raiaamDat.html
Presentations by David & Stan at ADEX Launch of Celebrate the Sea book at ADEX Celebrate the Sea Photo gallery at ADEX Award Ceremony & Charity Dinner at Raffles Marine 21 April 2002 Light & Motion continues to move forward in Underwater Digital Photography with the introduction of the Titan . The Titan is a professional housing that ushers in a new class of underwater digital photography. Olympus E-20n and E-10n SLR Digital Cameras. The Olympus E-20 is a 5 megapixel SLR that includes a 35-140mm lens, 4x optical zoom and high speed auto focus. The E-20 supports both Smart Media and Compact Flash which provide massive storage capabilities that enable the user to save hundreds of high resolution images. The tetra housing is made by Light and Motion Industries for the Olympus 2000, 3000, or 4000 series digital cameras. The Aquatica 995 allows you to control all functions of the Nikon Coolpix 995 Digital camera. The A995's ergonomic design positions the viewfinder at a 45 degree angle,...
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Reasonable care has been taken to ensure that the information presented in this book is accurate. However, the reader should understand that the information provided does not constitute legal, medical or professional advice of any kind.